The first time Mr.Kitty graced the shores of the United Kingdom was in 2014, where for his first ever international show, he played gothic/industrial holiday camp Infest, where he also became the first, and currently, only non-headlining artist to perform an encore in the festival’s history. If that doesn’t speak volumes for the prowess and rabid fanbase that this project has amassed in nearly a decade, then there’s no swaying you I’m afraid. Five years on, this night is also a first in Forrest’s career, where on the eve I got to sit down with him, it was his first ever London show, and naturally anticipation was huge within the confines of Camden’s Underworld, not to mention performing alongside fellow witch house pioneer Sidewalks and Skeletons. Progressing through many doors and hallways bleached with graffiti and swarms of band stickers, I meet Forrest and husband Isaac deep in the Underworld’s bowels, to talk about the past, the present, and the ephemeral. Continue reading
There has never been a time where the conversation about mental health, needs to be louder. Any loss of life is awful, and taking the matter into your own hands will never be any less tragic. But, with the recent deaths of Chris Cornell, Chester Bennington, and now, the loss of Keith Flint, already very raw in the hearts and minds of musicians and fans alike, it is time to stop trivialising the matter of suicide and take affirmative action, not as a society, but as fellow human beings. Forrest LaMaire aka Mr.Kitty understands the value of this conversation, and with his seventh release Ephemeral, the exact value of this conversation becomes all the more evident. Continue reading
By now, the hangover of 2018 should have long subsided, and 2019 should now begin to be as familiar to everyone as much as your work colleagues, classmates, or friends you go clubbing with, are. We’ve conversed, debated and voiced our collective opinions on what the best of the best of 2018 was, and ahead, we look into the eyes of 2019 longingly, yearning for continued musical excellence as this decade draws to a climax. So bearing that in mind, the site has put together 20 bands and artists bearing a variety of new musical fruit in 2019, that you should absolutely sample, and hopefully savour and find immense pleasure from.
As the world begins to stir, gently putting the gears back into production, and steadily adjusting weary eyes to the bright new horizon of 2019 (I mean, it probably won’t be that different, other than some cases of lingering hangovers, apparent nationwide incense about a vegan sausage roll, and more than likely international condemnation of whatever Donald Trump does next), we at least have a period longer to contemplate how good a year of music 2018 really did provide us with. However the longer it took to mull over how a good year of music it was, the more frustrating it became to whittle down and distil the ten best. It’s very safe to say EVERY album about to be mentioned was in contention for a top ten position. Tantrums happened and tears were nearly shed. An iron resolve and persistence eventually paid off, and in the settling dust, lay the final ten chosen to represent the best of 2018. Just one of them became the victor and declared ‘the undisputed favourite.’ Continue reading
I’ll be among the first to admit that 2017 is now a fading memory in long and short terms of immediate recollection. After all, we’ve reached a quarter of the year in already and only now do I find myself reflecting on and scrutinising the year past, since coming to terms with my current situation. Of which I feel is moving in a more positive direction. That said, while my own personal presence took a negative slant in the seventeenth year of the new millennium, musically, there was such a creative surge of magnificence which resulted in many, many excellent albums being released. Also one such reason for this list being delayed as it is. So, with ever-so-slightly wistful eyes, The Soundshark casts its spotlight on my ten favourite albums released in 2017, and for your listening indulgence:
Normally, any piece highlighting new and emerging musical talents on this site begins with a tale, an anecdote or even a little music history, eventually tying the two subject matters together in a philosophical or whimsical manner. Such may not ring so true this time round. Instead, this begins with honesty. Truth is, this site has been out of sync, almost out of touch, with the pulse of brand new, underground, independent, and unsigned music for some time now, that what little reputation has been building has dissipated from existence. To put it simply, and to quote Jesse Lacey of Brand New – life is a test, and I get that much, so much so that all motivation and production of content stood frozen solid in time. Whether it would ever thaw again, remained a worry for the best portion of four months. But something that kept the tiniest of embers ablaze, was the genuine warmth of kindness. Despite absolute silence, PR companies and musicians alike continued to reach out to the site. I rarely contact artists or their correspondents preemptively, so to have a one-way overflowing direction of content without ever asking for it, goes beyond words and has kept the gears in a functional state in lieu of their dormancy. The ember truly came to life however once Nicole Gibson of the titular Montreal duo came into contact. Her authenticity and heartfelt words, with regard to what this site has accomplished so far, were a moving read and most certainly a reflection on her songwriting partnership with Chris Kelly. Hell, they’ve just been nominated for Best Adult Alternative Song by the Hollywood Songwriting Contest if that’s any indicator.
The pair have an incredible work rate, releasing weekly covers of recent music chart entries on YouTube, but their own songwriting endeavours, of which their debut EP is due for release in the coming months, captures their chemistry, versatility and sheer talent better than someone else’s words can. Their most recent single, Ghost of You shows the upbeat, poppier side of their capabilities, both Chris and Nicole’s contrasting, reverb-touched vocals, in a realm of grumbling bass, understated percussion and airy electronics, delivered so refreshingly, and with a hook so catchy, you wonder how it is yet to crack the airwaves. Arguably however, it is Out of The Dark’s moodier, minimalist soundscape that has a far greater impact and establishes exactly why the pair have a songwriting nomination in tow. Immediately, Nicole’s dulcet tone welcomes you in, as does the slight melancholy of piano keys and programmed but subdued kicks and snares. There is a marginal breeze of ambience ever-present also, but it all culminates in a formidable emotive vehicle, for the lyrical premise of never giving up hope. The tale is not complex, but it doesn’t need to be. They are simply the right words for the greatest effect. Their voices unite for the chorus, emanating true passion and belief in their message, with Chris’ solo bellow between each line sounding almost pained, but powerful nonetheless. Piano also gently builds behind them, furthering the big, emotional right hook of a chorus; it’s ultimately a subtle touch but again contributes massively to tone and overall delivery. Chris takes the lead for the second verse, showing his softer, soulful voice, with the now more prominent piano accompanying him, right up to a second chorus where after we are treated to a wailing guitar bridge, adding an extra ambient dimension without being intrusive. The song closes on its chorus, yet there is a refrain with only vocals and piano just before, that may rank among the most tear-jerking 15 seconds you’re likely to hear all year. No doubt Chris Kelly & Nicole Gibson have a prosperous career ahead of them both, with their attention to detail transforming the insignificant into the extraordinary. But it is their authenticity and emotional resonance in their music, that will make them stars. To borrow a quote from the duo:
‘In order to never quit, you have to see hope, and in order to see hope, you have to never quit.’
Thank you, Chris. Thank you, Nicole. It’s taken some time, but it feels like the site can come out of its own dark. And this masterpiece has been instrumental in guiding it through.
Chris Kelly & Nicole Gibson have a fabulous YouTube channel which houses all of their various covers so you can see how wonderful they are as musicians. They’ve also just launched their own website, in case there is any other content your heart desires you wish to view. As already mentioned, their debut EP is due for release really soon. Keep your eyes peeled.
In the mean time, give them a like or a follow on their social media right here:
And if you feel like doing the same for myself, then you can do so by giving me a like, a follow, or by subscribing to the site using the button below, and we can give each other a virtual hug:
It seems very few people utter a breath about 2016 any more. Probably for good reason, it seemed very much like a culling of revered figures and idols of popular culture, let alone a universal gasp of disbelief at what idiocy we may have unleashed on the world. 2017 isn’t really fairing any marginally better in that department, by a hair strand at best. But whisper it: The music is fantastic. If you want to invest in it of course. Admittedly, this list was compiled at the inset of 2017, but as the halfway stage of this year rapidly approaches, it still holds as an all-star ensemble of killer bands you may have overlooked, some yet to release their brand new material and some you may never have heard of. It seems like a solid enough foundation for this article to still exist, while maintaining some resemblance of relevance. That, and you may be reading this, looking for some new music to listen over the summer. Let’s get started, shall we?