The Soundshark’s Top 20 Songs of 2015

Something somebody said recently struck me as it made an awful lot of sense. Exactly when do you stop saying, ‘Happy New Year,’ to one another? Or at least when does it become acceptable at the least. I honestly don’t know, but for now, I’m still considering it an appropriate time to talk about my favourite songs of last year. Seeming I’ve made a habit of it, and I finally have time to sit down and write about them.

2015 was a challenging year as it more or less marked my transition from degree student to having to fend for myself. Sometimes it sucked, sometimes it didn’t. But something that I didn’t previously have was a companion, somebody that I hold very dear to me and somebody I look forward to what the future holds for the both of us. As such, she has had an impact on deciding this list, just as much as the rollercoaster of emotions I’ve gone through in the past year has. Like I’ve said before, I do these lists for biographical reasons, to show where I’ve been and what’s happened in years gone by. Music and memory are powerful things.

So my rules for the list are as follows: I don’t always pick songs from this year to put on the list, it involves literally anything I’ve listened to in the past year that I’ve enjoyed frequently enough (that said, there are a lot of 2015 entries on this list which makes a change), but I try to avoid putting more than one song by the same artist in. Some of my past lists had more than one or two. You can find them on Spotify if you want to.

I would like to make an honourable mentions list, but there were far too many to include on this year’s list, so I’ll skip that formality this time. Just so many good moments or songs to include the entire list. And if you would like to listen to this list uninterrupted, commentary-free, then head on over to the Spotify playlist instead.

Righty then, on with the show…

Continue reading

Advertisements

Continues

Coupling seems to be very much the main life objective, the desire to find company so you don’t spend your years on this planet alone. For some people that means friendship, or a relationship, sometimes both. In the case of Los Angeles electro punk legends Babyland, the precursor to Continues’ one man tour de force, they shared a long lasting friendship and a business relationship that lasted over a 20 year career. Daniel Gatto, the voice of Babyland, since 2009 went in a different direction, and toned down the jittery synth strokes, industrial strength percussion and throat-run-raw shouting, into a smoother, refined synth pop operation. The same impassioned delivery is there, verging on almost desperation at times, and the same production values remain, sticking heavily with an array of modular synths and drum machines, but the formula has been distilled into far more digestible nuggets of electronica gold. Love On The Run, by far my favourite song of this week, is an exceptional seance of Bronski Beat’s Smalltown Boy, bar extra eerie, chilling synth lines and Jimmy Somerville’s falsetto range swapped for the spirit of punk in a spoken poetry rehearsal. But there’s a groove that the coincidental inspiration lacks that Continues makes up for in the precision engineered synths and drum pattern working in unison that edges it out very slightly. VERY, very slightly. At times, the 2012 self-titled debut recalls The Cure, but if Robert Smith abandoned the gloom of goth to make perfect electronica an elder crowd swore they remembered, and that is a compliment of the highest order. For a one man show, Continues is utterly fantastic, pure and simple.

The 2012 debut can be found on Mattress Records’ Bandcamp and at most respectable music retailers, for a reasonable sum. Also, for your own amusement, Love On The Run was edited into a loop of Noel Fielding dancing in The Mighty Boosh, if that seems like something you might be entertained by. Go YouTube it.

https://www.facebook.com/pages/Continues/140361789324344?fref=ts