The Secret Tsunami Club – S1E09

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #9, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

The Homeless Gospel Choir – Young and in Love
The Kimberley Steaks – Nothing To Think About
Patrón – Who Do You Dance For
Bella Stella – Adicto
Cornea – Daydreamer
Barrens – Arc Eye
The Chant – Peace Underwater
Four Stroke Baron – Lunatic Fringe
Lost In Lavender Town – Season Two
Neck Of The Woods – Strange Consolation
reg3n – Schwag Hash
Panic Priest – Nighthunter
Saigon Blue Rain – BPD
Minoar – Burial
MODERNS – Célébrité
GEIZ – You Think You’re Lucky
Bec Plexus – Mirror Image
Fire-Toolz – Microtubules
Rural Internet – Heat Death 1991
Haezer – Black Water (ft. Born I)
SHARPS & Whales – Evacuate
Dita Redrum – SHADOWRUN
Head Splitter – Human Evolution
SIN DNA – Scraping Gehenna
Peter Aries – Everlasting

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

Eurovision 2020: Ranked From Worst To Best

In the final instalment about this year’s sadly doomed and cancelled Eurovision, and to give every artist equal antagonism, as the home nation song and the Big 5 avoided scrutiny as the only songs not in the two semi-finals (which you can read about here and here for a more in depth roasting), the 2020 trilogy will end with The Soundshark running through and ranking every Eurovision entry this year, in order from least favorable, to the crème de la crème. Let this serve as a statement on ultimately who I thought should’ve won this year.

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The Soundshark… Does Eurovision 2020 – Semi-Final 2

In continuation of a fantasy booking scenario, where the 65th edition of the Eurovision Song Contest survived the COVID-19 pandemic, and in the hope of providing some light entertainment in these troubling times, The Soundshark presents the second semi-final of the already pre-planned brackets (while also abiding by an improvised and hybrid set of drinking rules), to fulfil the scenario of a potential grand final. Remember, this is all purely personal opinions and light humour, so nothing is meant to offend. Just think of me as a less funny Graham Norton or Sir Terry Wogan. Or just less funny. With fun in mind, this is how the second semi-final played out, quickly going over the drinking rules again, in case you wish to play along or had forgotten them.

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The Soundshark… Does Eurovision 2020 – Semi-Final 1

On the 18th March, the world lost one of its landmark calendar moments of unity through music, when for the first time in its 64-year tenure, the Eurovision Song Contest was cancelled, because of the COVID-19 pandemic. Eurovision has now scheduled something in place of the original contest, honouring those who were originally supposed to be participating. But there is still part, well, of myself, that yearns for the original broadcast and format to play out in a fantasy scenario, that admittedly got out of hand. In the means of providing some light entertainment in these troubling times, The Soundshark sat through both semi-finals of the already pre-planned brackets (while also abiding by an improvised and hybrid set of drinking rules) and chose a set of 10 finalists from each, to fulfil the scenario of a potential grand final. This is all purely personal opinions and light humour, so nothing is meant to offend. This is all meant to be in the name of fun, so I always tend to go into this blind, with almost zero prior knowledge of what I’m about to hear. Just think of me as a less funny Graham Norton or Sir Terry Wogan. With fun in mind, here’s how Semi Final 1 played out, first explaining the drinking rules, in case you wish to play along and endure as well.

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The Secret Tsunami Club – S1E08

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #8, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

Rosegarden Funeral Party – Once In A While
Beach Panic! – Lover Boy
Take Flight – Listening.
Nasty Fishmonger – Grace O’Malley
Black Orchid Empire – Death From Above
Kryn – Risset
Shadow Ghost – Moralist
Riviẽre – New Ghost
Gaytheist – It’s Reigning Men
Classically Handsome Brutes – Try Harder
99% Cobra – Lust & Fear
SEED – Hole
Seeress – Theatre of Snow
ULTRA SUNN – The Shadows
Mareux – Spectral Tease
Youth Code – Puzzle
Randolph & Mortimer vs. ROÜGE – Sermon Three
Ajaton – Chrome Serpentis*
Lazerlvst – Ascension
Juche – Neo Riot
Petrol Bastard – You Can’t Eat Ferraris (feat. Mark Sauve)
Diatomic – Laser Raptor
Kingbastard – My Robot Child Is An Underachiever
Hologram Dagger – A Nature’s Preserve (ft. ten)
Kota – Mourn

*Editor’s note – Wrongly proclaimed Ajaton to be from the UK, when they’re actually from Finland, apologies.

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

Introducing: Nasty Fishmonger

The fishmonger by trade is an ancient one, a guild officially recognised, ratified, protected, and regulated by the crown as early as 1212, and forms one of the Twelve Great Livery Companies of the City of London. Today, better known as the Fishmongers’ Company, or the far more grandiose Worshipful Company of Fishmongers, they still stand as a significant authority in upholding the standards, of retail and trading within the seafood industry. Safe to say, they have a lot of heritage and history to celebrate for what is commonly revered as a humble and modest profession. It is exactly the kind of heritage and lore that bards and folk musicians have thrived upon for centuries; to able to artistically recollect tales in such rousing fashion, that their own words, songs, and melodies, endure as long as the history they’re based upon. Bristol’s Nasty Fishmonger, of course based in the West Country, a realm with its own rich history and unique traditions upheld, are no exception to this mentality.

For this trio of university friends, what initially began as a one-off, tongue-in-cheek performance, has shifted and expanded into a bright, burning new star on the UK folk scene, within just eighteen months. Going from corpse paint in their local venue, to sharing the same stage with Port Isaac Fisherman’s Friends in under a year, is some real heavyweight endorsement. That’s no matter of luck either. The union and chemistry between Captain Rehab, Lizzie Blower, and Shanty Dan, generate a formidable, infectious energy so powerful, the pride of Her Majesty’s Navy would be envious. Fitting then, that their first recorded output honour the life and times of fearsome Irish pirate queen, Grace O’Malley, who infamously stood against Elizabeth I.

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In their riotous live performances, Grace O’Malley has become their opening gambit; four minutes of stomping punk rhymes and sharp-tongued narration, driven by the feisty fretwork of Captain Rehab. Gentle, perhaps understated plucks of mandolin, interject beneath the already tremendous kinetic force of acoustic guitar, those singular notes so subtly adding emotional depth to this ballad, it deserves commendation for how rich their songwriting strength really is. The story begins with O’Malley’s pleads to accompany her father overseas to Spain, to share in the family’s trade forays in that coastal domain, performed with the command of a town crier, mere inches away from a full-on punk snarl or a pirate’s growl seeping into the vocals. The fact neither fully engulf the dialect, yet those ever-so familiar tones linger in every inflection, carry that rebellious spirit marvellously. Then the thumping of kick drum begins, alongside several sustains from the recorder, the harmonies imbuing a sense of romanticism and airiness, a sea breeze if you will, to the recollection of O’Malley’s brief marriages, that pumping tempo leading straight to the chorus, and into her chief role of defending the shores from English oppression. The unison at the end of everybody’s vocals, emphasising the teachings of O’Malley, has the pair of male vocals more prominent, and while maybe or maybe not intentional, serves a clever little juxtaposition and only further reinforces the pirate queen as a brilliant, but sorely forgotten figure of historical feminism.

Details of the conquest of Doona Castle, and the aforementioned confrontation with Queen Elizabeth later unravel, the duly noted refusing to bow before her, and carrying a dagger as protection, causing quite the stir for its time, and afterwards, led to her support of Irish insurgents in the Nine Years War. You could even argue that the final minute of the song, the manic adrenaline of guitar, banjo, and recorder, with the kick drum gathering pace, encapsulates an aural metaphor for battle frenzy, or at its loosest listen, some form of wardance. In any case, after such a tall tale, to create that kind of exhilaration, the kind that this fascinating character led her entire life by, is a fitting testament and tribute. And to think that only begins a Nasty Fishmonger live show. Plainly and simply, for a first single, this is a band with the incendiary attitude, and the devotion and ingenuity to translate fables and folklore, into the most rapturous, yet meticulously textured history lesson you’ll ever participate in.

Grace O’Malley is released 17/04/20, with a live stream to celebrate the single launch to follow.

Go support the band via the following social channels:

http://www.facebook.com/NastyFishmonger
http://www.instagram.com/NastyFishmonger

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The Secret Tsunami Club – S1E07

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #7, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

Indian Queens – Shoot For Sexy
Grave Danger – Undead End Job
Casino Kid – Mr. Rat
Ginkgo Dawn Shock – The Second Fish Curse
Exploring Birdsong – The River
Lindsay Schoolcraft – Dangerous Game
Diamond Tactics – Pink Mist
THORN. – Noctum
Huge Molasses Tank Explodes – So Much To Lose
Los Tabanos Experience – Majestic Volcano
Fault Choir – Marketplace
Plague of Carcosa – The Crawling Chaos
Helalyn Flowers – Suicidal Birds
Maud The Moth – As Above So Below
C O L D K I S S – World’s Burn
Airsh4d3 – aurora
Pete Crane – You Are Not Your Body
THEY.I – Vegas Mode
Immortal Girlfriend – Ride
Blanku – Miracle (feat. NVRLUV)
FFF – No Ice Cream
3VS – Red Sun Drive
The Oscilloscope – Shaded Diagram
Boogie Belgique – Cessna (ft. Ian Burgina)
Okami (O) – Ikara

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark