The Secret Tsunami Club – S2E04

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #14, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

Sadness & Complete Disappointment – Status
BÜTCHER – Iron Bitch
Düllhaus – Let Me Go
Shedfromthebody – Cherubian Hand
Obsidian Kingdom – SPANKER
Silverkord – Inertia
Asian Death Crustacean – Baikal III
Palm Reader – Willow
DRAIN – Sick One
The Earth Laid Bare – Virtual Vision
VØID – Antimatter
Alpha Wolf – Golden Fate; Isolate
Sølv – Colour/Somehow
Gefahrgeist – Graceless
Spunsugar – Happier Happyless
Kitka – Claudia
Alec Ness – Harbinger
King Plague, Suicidewave – Pestilence
Thief – Pyromancy
Corey Wolfhart – Lost Angeles
Andy Fox – She’s Gone (feat. Roxi Drive)
Ellen Allien – True Romantics
Belzebass – Moloch
Swan Meat – Jealous
Bohren & Der Club Of Gore – Patchouli Blue

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

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The Secret Tsunami Club – S2E03

The Secret Tsunami Club - S2E03

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #13, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

AVNT GARDS – Run and Hide
Chynna Lewis – Mind and Soul
Whitney Tai – Surrender
Harsh Armadillo – Holdin’ Me Under
Koke Benavides – Viral
Iden Gakusha – Aihachi
Loa – Bliss
Heat Death – Prison Guard
Colosseums – Divided
Hoi-Poi Farplane Wind – Rycorice
Oblivion Beach – Elektrik Forest
Zealand The North – Never Perfect
Giobia – Parhelion
Night Sins – Annihilator
6th Circle – Punished
DESTABILIZED – Fire
Rascura – Silverhand
LOST OCEVN – Chain Reaction
King Stephen – Apotheosica
Artax – Safehouse Surrender
IVERSEN – Spit
Hannah Moule and the Moulettes, Bec Plexus, La Leif – Idiolect Pt.5 (Electronica)
Sully – Swandive
C O N T X T – Ancient Hymn
Chachuba, Rooftop Collective – Eastern Sands

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

The Secret Tsunami Club – S2E02

the-secret-tsunami-club-s2e02

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #12, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

AlienBlaze – Romantically Dead
Amy Gabba and the Almost Famous – F.U. Cupid
Pogo Car Crash Control – Le ciel est couvert
Killatrix – Centipede
Frost* – Exhibit A
Cavern – Dove
UltraCombo – Flusso
Clæmus – Nomad
Sun & Flesh – Bored
The Hunting Project – Emerge
Pound X-.+.+.X-.+.X-.X-.+
The Stealth Creeping Apocalypse – Psi
Marie Dahlstrom – Like Sand (feat. Beau Diako)
The Sixteenth – Afterglow
WØLFY – Museum
Klasey Jones – Kanjo Loop
Jessaudrey – U DON’t KNO What I Been Thru
Lunakid – Living In The Last Days
Glaare – Mirrors
Ectoplague – Cadaverous
Cat Temper – No New Tail To Tell
Gulf Blvd – Grave Desire
Forbidden Society – Swamp Rave
Gancher & Ruin – Kickback
Syz – Unidentified

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

The Secret Tsunami Club – S2E01

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #11, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

#BlackLivesMatter

Tracklist:

Gillian Mapp – Orange Bitters
Yves Tumor – Kerosene!
drea the vibe dealer – left out
D’vyne Comfort – Shoot You
The American Symphony of Soul – Galapagos
Butcher Brown – Tidal Wave
Damu The Fudgemunk, Archie Shepp, Raw Poetic, Luke Stewart – 2 Hour Parking
Bettye LaVette – I Hold No Grudge
Nestor Middleton – Same Old Road
James Bambu – White Lines
Mykele Deville – Free Soul
Regional Overlord Sterling Silver – Flcln (Fooly Coolin’) (feat. Seucci & N_ova)
Eshon Burgundy – Bloodfire (feat. Steven Malcolm)
Urban Heat – World on Fire
Spellling – Haunted Water
DEBBY FRIDAY – FATAL
Lotic – Burn A Print
Kilder & LYZZA – Backwards
N A T U R E – Tears
NKISI – stars are fading
Jasmine Infiniti – Nxt2u
Suzi Analogue – 2DEEP (feat. Junglepussy)
Dday One – Better Future
Ed Balloon – Square Up Annie
Growing Concerns Poetry Collective – Rise Up

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

Flies Are Spies… Grapple With Loss On Third Album, Final Quiet, Which Is Everything But Quiet

Throughout over a decade and a half’s of performing, two albums, three EPs, and a series of remixes, Flies Are Spies have held steady as a band of exhilarating ability and uplifting composition. A reputation they have backed up, and remains unblemished, which in that timeframe for any band, is near unheard of for a band of any stature and recognition. Hell, they even spearhead the Cheery Wave From Stranded Youngsters collective if you need some indicator of just how invigorating they are, as well as selflessly amplifying the voices of their peers in the process.

Generally speaking mind, any cheery wave would find it hard to cope in the here and now. Flies Are Spies From Hell have taken it pretty hard themselves. The darkening spiral of chaos that society finds itself seeped within, has bred despair, and in the case of Flies Are Spies…, they have suffered grief. While a band well-versed in the patterns of human emotion, and that fact being very well documented, their third opus stings with a salient vulnerability, even that they themselves have previously unexplored. The veil of bereavement hangs opaque over Final Quiet, six songs seemingly orchestrating a narrative of loss, the first half in the closing hours with an undisclosed relationship, which anyone could assimilate for someone beloved, and the second, coming to terms without that individual.

The opening of Final Quiet is Nearly Saw A Light, a bold nine and a half minutes of sombre waves that crash and recede quite spectacularly, and led by piano which even today in post rock canon, still feels like an anomaly. It is the piano however that carves the niche for Flies Are Spies… and rightfully elevates their standing in a genre amongst a seminal field of musicians. It lay beneath a melancholy umbrella for the intro, coupled with some very early tremolo work, inducing a state of high anxiety. The keys certainly speeding up and becoming more frantic hammers this home just as much. Sustaining this tone, along with a gentle rolling of drums, before settling into a mellow passage of solemn plucked notes and a slight rumble of bass, also plays on expected post-rock tropes slyly, slowing down instead of building to an explosive pay-off. Even that then quietens down to just a solo piano performance, layers of lachrymose fogging the ambience of the song and just one of many fine examples of how powerful a piano player Flies Are Spies… have within their midst. Bass gradually backs up the piano, the subtle stroking proving an effective counterpart to rising tension, as does sharp cymbal taps, keeping rhythm without being imposing as such. It’s worth mentioning that drums are wholly kept to a minimum throughout Final Quiet, deployed strictly to maximize the intensity of the music and its emotional output, and their presence or lack thereof, makes for a certifiably distinct listening experience. As the track’s crescendo steadily swells, cymbals grow louder, as do swift clatters of toms, tremolos amplified and morphing this wave of emotion into an all-consuming tsunami of sadness, one that finds itself genuinely moving. Much like the news that someone you love has just mere moments left to live. Or it’s already too late.

Flies Are Spies From Hell on Spotify

Ominous rumble brings in Last Hour, with some beautiful keys to accompany it, another show-stealer of a performance, and only two songs in. The rumble is eventually banished, taken place by some precision plucking of notes, later joined by a bass melody that tugs a heart string or two, and their tremendous interweaving of musical strands here exemplify that it’s often not about how many notes you play, but the right notes you play. For half the song’s duration, the instruments shape and cement the tone of sorrow in such a compelling manner, that drums needn’t be required. It evokes the image of being beside a hospital bed so strongly that tears almost seem obligatory at this stage. Drums explode in, that contemplative demeanour swept away with the accompanying sudden rush of truly electrifying, ferocious guitar, that feels more rooted deep in the throes of conflict than the flash flood of grief, all the while, the piano maintaining that edge of melancholy. You could score a war movie, as much as heartbreak, so succinctly in just these six minutes.

Both halves of Final Quiet are back-ended by two sub-three minute pieces, the first being Afloat Apart, a pause for breath and clarity, that a harmony of piano and guitar usher in ambience, serenity awash on an aural palette that serves as a flashback or a recollection to the greatest moments with whomever this individual was. Equally, you could call it an ascension if you are spiritually inclined to. Interpretations aside, it is an achingly beautiful piece of music. The second of these pieces is Lost By Morning, which realistically requires the context of the previous All The Smiles At Night, to make complete sense in the general overarching narrative. The piece, while seamless in transition from the previous track, focuses solely on piano and closes the album, now so overcome and bereft with sadness, that this deliberate ending performance reigns in the feeling of isolation like a brick to the head. A solo performance for a solitary life. If you made it through Final Quiet without crying to this point, grab yourself a Kleenex for this one. Soul-stirring simply doesn’t do it justice.

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Yet perhaps it is the two tracks that make up Final Quiet’s second half, Always Bereaved, and the aforementioned All The Smiles At Night, that sit so firmly in current reality, that they resonate the most strongly. Always Bereaved comes to terms with immediate loss, gloom creeping in at the inset, far slower in pace than anything before, and once again, crafting this dour mood so effortlessly, it becomes immersive. Despite an exquisite composition of guitar, piano, and bass, their carefully spaced playing of notes conjuring a drained and dare I say, dark and depressed atmosphere, it is the drums with precise cymbal taps that add the most important nuances of gravitas to this scene. The volume, as does the aggression in which the instruments seem to get played with, builds to a simmer, the patterns and execution growing faster, as does growing turmoil inside. Piano and guitar especially, seem to battle one another for absolute control over how powerful an emotional impact is made, and their syncopation almost makes it chaotic, a rising distress level waiting to boil over imminently. But half way in, a curious guitar lick, the most infectious of its kind on the album, causes everything to subside, and the instruments then use it as a cornerstone to build around. It is this build-up and resolution that is Final Quiet’s best, the outpouring of sound very much akin to an emotional or mental breakdown, and the harmony of guitar and piano here tightening the screws on your tear ducts to magnificent effect.

All The Smiles At Night then presents itself as the ongoing struggle with loneliness or wanderlust even, painting a picture to try and fixate on a normality, when this world has been thrown off its axis. Sparse at the beginning with only guitar opening, piano enters to an almost blues-like meditative state, perhaps Final Quiet’s only moment where vocals could, but not necessarily should, slot in perfectly. An ode to someone dearly treasured lends itself well to this passing breeze here. Enter the drums, which for the first time on this album, shifts to an upbeat, almost rousing pace. In practice, it almost brings in a jazz-like quality to the music, albeit one where you are the only stationary body in a lively, always moving environment. Perhaps the song title suggests trying to be amongst friends or in a public place, faced with tens, possibly hundreds of realities separate or absent from your own, and grief in that moment, makes you alone in a crowded room. The last few minutes certainly seem to suggest so, heavier slams of chords so out of character and verging into noise, detaching the listener from this state of immersion and back into our own reality. That deafening moment, drowning out all other distractions, to be left with your own thoughts.

Final Quiet is a masterpiece, a compelling, cinematic realm inside bereavement deemed essential listening for the musically courageous and any healing hearts. Flies Are Spies From Hell have proven yet again to be one of post rock’s stand out acts, their compositions still so strong and evocative after 16 years, that time hopefully never slow them down.

 

Final Quiet is out now on all good and respectable music retail outlets.

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http://www.facebook.com/FliesAreSpies
http://www.twitter.com/fliesarespies
http://www.fliesarespiesfromhell.co.uk

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The Secret Tsunami Club – S1E10

The Secret Tsunami Club - S1E10

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #10, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

Choir Noir – Arcarsenal
The Criticals – Under Your Nose
Eyesore & the Jinx – Nightlife
Screamers and Sinners – Fraidy Cat
Deep City Diver – The Detail
Cerulean Veins – Fell In Love
Code Ascending – Thermite
The Fangs of the Dodo – Home?
Cthuluminati – Illumni Fhtagn
Insect Ark – Philae
Misery Signals – The Tempest
Pale Mare – Zealot
Cryoshell – Dive
CABLE – If/Only
Vogue.Noir – Resolution
Processor – Mob Safari
Peregrihn – Ambrosia
Malo – La dune
Masked – Neo Sword
Mirko Hirsch – Leaving Ground
Rodney Hunter – Taste A Bit
The Bolide – Antiquarks
Giganti – Olympa
Monomi – Spell On Me
Sohnarr – The Mermaids of Bergsjøn

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

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The Secret Tsunami Club – S1E09

‘Music can’t make waves, if you don’t know it exists’ – The Soundshark.

Broadcast #9, from a realm in time and space that has intercepted two hours of the best in under the radar, underground, and unsigned music.

This is the Secret Tsunami Club.

Tracklist:

The Homeless Gospel Choir – Young and in Love
The Kimberley Steaks – Nothing To Think About
Patrón – Who Do You Dance For
Bella Stella – Adicto
Cornea – Daydreamer
Barrens – Arc Eye
The Chant – Peace Underwater
Four Stroke Baron – Lunatic Fringe
Lost In Lavender Town – Season Two
Neck Of The Woods – Strange Consolation
reg3n – Schwag Hash
Panic Priest – Nighthunter
Saigon Blue Rain – BPD
Minoar – Burial
MODERNS – Célébrité
GEIZ – You Think You’re Lucky
Bec Plexus – Mirror Image
Fire-Toolz – Microtubules
Rural Internet – Heat Death 1991
Haezer – Black Water (ft. Born I)
SHARPS & Whales – Evacuate
Dita Redrum – SHADOWRUN
Head Splitter – Human Evolution
SIN DNA – Scraping Gehenna
Peter Aries – Everlasting

Please support the artists featured.

Want all the music, but with no interruptions?

Here’s a playlist of this show’s music:

Independently curated, recorded, produced, and edited by The Soundshark.

All episodes so far can be found here.

The Secret Tsunami Club thumbnail lovingly produced by Julia Klein.

http://www.facebook.com/IAmTheSoundshark
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Eurovision 2020: Ranked From Worst To Best

In the final instalment about this year’s sadly doomed and cancelled Eurovision, and to give every artist equal antagonism, as the home nation song and the Big 5 avoided scrutiny as the only songs not in the two semi-finals (which you can read about here and here for a more in depth roasting), the 2020 trilogy will end with The Soundshark running through and ranking every Eurovision entry this year, in order from least favorable, to the crème de la crème. Let this serve as a statement on ultimately who I thought should’ve won this year.

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The Soundshark… Does Eurovision 2020 – Semi-Final 2

In continuation of a fantasy booking scenario, where the 65th edition of the Eurovision Song Contest survived the COVID-19 pandemic, and in the hope of providing some light entertainment in these troubling times, The Soundshark presents the second semi-final of the already pre-planned brackets (while also abiding by an improvised and hybrid set of drinking rules), to fulfil the scenario of a potential grand final. Remember, this is all purely personal opinions and light humour, so nothing is meant to offend. Just think of me as a less funny Graham Norton or Sir Terry Wogan. Or just less funny. With fun in mind, this is how the second semi-final played out, quickly going over the drinking rules again, in case you wish to play along or had forgotten them.

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The Soundshark… Does Eurovision 2020 – Semi-Final 1

On the 18th March, the world lost one of its landmark calendar moments of unity through music, when for the first time in its 64-year tenure, the Eurovision Song Contest was cancelled, because of the COVID-19 pandemic. Eurovision has now scheduled something in place of the original contest, honouring those who were originally supposed to be participating. But there is still part, well, of myself, that yearns for the original broadcast and format to play out in a fantasy scenario, that admittedly got out of hand. In the means of providing some light entertainment in these troubling times, The Soundshark sat through both semi-finals of the already pre-planned brackets (while also abiding by an improvised and hybrid set of drinking rules) and chose a set of 10 finalists from each, to fulfil the scenario of a potential grand final. This is all purely personal opinions and light humour, so nothing is meant to offend. This is all meant to be in the name of fun, so I always tend to go into this blind, with almost zero prior knowledge of what I’m about to hear. Just think of me as a less funny Graham Norton or Sir Terry Wogan. With fun in mind, here’s how Semi Final 1 played out, first explaining the drinking rules, in case you wish to play along and endure as well.

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