Track of the Week: You Win Again Gravity – Seamless

On February 4, 2001 (though broadcasting events 1,000 years in the future), Commander Zapp Branningan of the starship Nimbus suggests piloting Le Palm d’Orbit, a floating restaurant in space that was evacuated moments before as a result of a disastrous karaoke session. Though believing he can commandeer any vessel built, he shortly crashes the restaurant afterwards onto a nearby planet. In the ensuing descent, he curses, ‘You win again, gravity!’ right as the restaurant enters the planet’s atmosphere. Stay with me here. On Halloween the following year, five young gentlemen from Ontario released their self-titled debut album, proclaiming their sound to be ‘Catholic girls in the middle of a knife fight.’ They went on to become one of the most influential voices in post-hardcore and are still often referred to as The Only Band Ever, despite uncertainty surrounding whether they will make new music together. Still following? Fast forward four years to Halloween of 2006, and Meshuggah re-release Nothing, completely remastered and re-recorded with 8-string guitars, of which its all-conquering polyrhythmic riff stagger and use of then recent technical innovations, arguably became the catalyst for the tech metal explosion towards the close of the decade. Understanding the link between a Futurama quote, Alexisonfire, and the advent of tech metal, is crucial to the raison d’ĂȘtre of these five gentlemen from Windsor, who share the same name of the aforementioned quote. And if the cohesion of sublime melodic hardcore and infallible metallic groove is anything to go by, then You Win Again Gravity are absolutely a band you need to be excited about.


Though happily being a presence on the UK live scene for a number of years, their work rate suddenly amped up with 2016’s three track EP What’s Left Of The Distance, which lends its laser-focused trio of punchy, nautically deep, progressive hardcore hits to the much larger Anonymity released late last year. Seamless is among the latest of the band’s studio output, refining their already killer formula, while lending more volume to some of their broader influences. First filtered through lo-fi radio, Seamless’ core hook broadcasts to the listener, drawing on those tech-metal leanings of theirs and playing a technically simple but astonishingly addictive pattern of notes that requires extra thick bleach to scrub free from. Not to mention a drum performance that is certainly a technical marvel. Bursting through into full stereo moments later, the third guitar produces a more ambient overtone that gracefully blankets atop an already captivating opening sequence and quite frankly, they could’ve still made as stellar a song staying within these boundaries. Yet the progressive dynamic of You Win Again Gravity turns everything they touch into an immersive musical narrative. That triumphant tone mellows, giving all guitars an ambient piece to play, and room for Jack Jennings’ entrancing vocal talents to perform poetry, on the everyday pantomime that is life and trying to find the one. Cleverly and carefully placed too, are soothing secondary vocal harmonies with Jack’s own melodic delivery that although subtle in execution, accentuate so much more passion and nuance in the meanings of every word. The chorus soon storms in, unifying all instruments in a steady headbang, complete with gang shouts and volatile potential to create chaos in a larger live environment, given the breathing space. Call it a breakdown if you will. In the truest of rollercoaster fashions, the mood continues to switch between a calming recital and a tidal wave of emotion, verging on fury at points, setting up for a far greater instrumental pummeling near the climax. Time signatures are thrown around with reckless abandon and vocals once harmonious, become hair-raising growls seemingly fuelled by bitter contempt, the combination of which comes off as the musical equivalent of a descent into madness. The bombardment of riffs comes to a crawl, tension soaring like invigorating light dispelling all previous negativity, and we find ourselves back at the opening sequence, as if it were all a lingering thought in our imaginations.

Make no mistake, You Win Again Gravity are a thinking man’s hardcore unit, but their finesse and songwriting ability are phenomenal, so much so that listener experience is mandatory to even grasp at how talented these guys are. Anonymity will get them on the track to success at last, as no doubt what else they have to offer the UK hardcore and metal scenes remains just as exciting a prospect. After all, they still have yet to release a full-length album, but in their wealth of EPs, lies one of the UK’s best unsigned bands hands down.

I once wrote a lot shorter exposĂ© on these fine gentlemen if you want a TL;DR version of You Win Again Gravity. It might actually be better than this piece. Might. Anyway, I must insist you watch the video of Seamless, as it may be the funniest music video produced in years. They have all their material on Bandcamp, as well as all respectable music retailers, and they’re even on the bill of UK Tech Metal Fest this year, fancy that.

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The Soundshark’s Top Ten Albums of 2017

I’ll be among the first to admit that 2017 is now a fading memory in long and short terms of immediate recollection. After all, we’ve reached a quarter of the year in already and only now do I find myself reflecting on and scrutinising the year past, since coming to terms with my current situation. Of which I feel is moving in a more positive direction. That said, while my own personal presence took a negative slant in the seventeenth year of the new millennium, musically, there was such a creative surge of magnificence which resulted in many, many excellent albums being released. Also one such reason for this list being delayed as it is. So, with ever-so-slightly wistful eyes, The Soundshark casts its spotlight on my ten favourite albums released in 2017, and for your listening indulgence:

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Track of the Week: Dye The Flux – Lunacy

This has been a moment years in the making. A moment arguably in the making since the 31st October 2013. The date when Dye The Flux released their first EP ‘SHARK!’ to a room of 50+ people at the University of Surrey. A moment so vivid it shall no doubt live on in my memories. But this is not about living in memories, Dye The Flux have always been all about looking forward, hence why since the release of their terrific debut EP, they were already laying the groundwork for the next release. A release that experienced multiple complications before it reached this point. While quickly reaching the upper echelons of Guildford’s incomparably diverse live scene, an unfortunate wrist injury to their bassist, backing vocalist, and founding member Ieuan Horgan took them out of performing, and almost performing together again. Tasked with either his replacement or calling it a day, the boys instead went in separate directions, waiting out a year’s gruelling rehabilitation, of which a complete recovery was eventually made.

Finally returning to the stage with new material in hand, two years since their last appearance, and with a new drummer in tow, Dye The Flux’s live return was an emotional one, built on frustration, anger but sheer joy in persevering in the face of adversity. Yet it seemed as soon as they were return to the stage, they seemed to disappear off of it just as rapidly. To continue writing for could’ve been labelled their fabled sophomore EP. Admittedly, there has always been the tenacity and work ethic of this talented four piece that has never stopped them doing what they’ve loved. So despite a second drummer departure and months of songwriting and production with acclaimed producer Jason Wilson, we arrive here a little under four years later, at the first glimpse of their second EP ‘FOX’ and the welcome sound of four warriors, who only know to fight or die and have returned to tell their tale.


Credit: Yulia Hauer

As has become their calling card, sizeable, urgent chords lead us in alongside punchy percussion, instantly pulling you into a fast-paced fistfight that’s as captivating as it is ferocious. Bright, clean vocals put the madness of society and the human condition to rights, delivered with a confidence and a smirk that is endlessly pleasing amongst the raucousness of the riffs bombarded at you. Perhaps an indirect nod to the notion of insanity, but the refrain of ‘Lunacy,’ frequent throughout, partnered with both the wah-infused hammer-ons and rapid snare bashes is such a powerful hook, you’ll be humming it for weeks. Whether it can be called a chorus or not, stripping it back to a single guitar, rolling off riffs near-effortlessly, while vocals harmonise, backed by drum rolls that sound like cannon fire, serves as just as powerful a hook, steadily increasing tension as it does so. And the intensity only shifts from gear to gear. Chords gather pace, interspersed between quick, fiery licks, and you can physically feel the danger level heightening with every note change. The tipping point is reached at the solo; a passage of double-time picking, with the second guitar throwing authoritative blows to the face and snares and cymbals issuing a countdown to chaos. Bass soon matches the speed of the fast picking, a feat technically impressive in its own right, and after tremendous restraint, the thrashing beast that has threatened and been teased for the course of the song is finally unchained. It really serves as an excellent metaphor for lunacy in motion, the loss of inhibition and the inevitable loss of control we could find ourselves in, inside and outside of a live environment. This is only agitated by the new found snarl in the vocals, a pummeling of aggressive chords and guitar gallops, and drums keeping the adrenaline pumping, while showcasing a far greater technical prowess than we’ve seen before. And we end on the note of four musically skilled gentlemen looking far more feisty than we saw three minutes ago.

It’s truly difficult to pin down an exact comparison point for sound, former Surrey stalwarts Reuben being the closest reaching example, yet passing instances of Deftones, Incubus and even Biffy Clyro, glimmer and fade just as quickly in Lunacy alone. But any claims that they embody any of those bands, does not do them any justice. What music they have created over the last four or so years shares a certain hardcore sensibility with any of those bands for sure, but their sound is ultimately theirs and theirs alone. Lunacy is cathartic and at times, nerve-shredding, but one of the most thrilling three-minute bursts of music I’ve undoubtedly heard this year. All it shows that Dye The Flux are hungrier, harder-working and as passionate as ever, and as a band constantly looking forward, and with the breadth of talent they possess, we can see that the best is certainly yet to come.

Lunacy is taken from their second EP ‘FOX’ which has yet to be released, but you will find it available once it is, on their Bandcamp page. You can purchase Lunacy on Spotify and iTunes in the mean time. Live dates are also yet to be announced. Right now, you can listen to their previous EP ‘SHARK!’ on their Soundcloud, and can only get your own physical copy from them in person. You could probably get a digital copy from them too if you asked them nicely, but I’ll leave that up to you. Buy a shirt whilst you’re on their Bandcamp anyway.

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