I feel like I go through the motions every year, repeating the same diatribe, but this time, there is a minor change of circumstances, and even a little bit of excitement. After all, who knows what can happen next in this crazy time we live in? As the site, and ourselves by extension, enter a new decade, one that hopefully that leads to plenty of promise, and one that can only dismay us from the gradual doomsday scenario that the planet seems to be sliding into of late, we glance back one final time into the 2010s (the tenties?) and upon the last year’s worth of music. Compiling this list was somewhat difficult this time around, as I appear to have forgotten more incredible albums than I remember listening to. Even then, to get to the point of narrowing down a contendership of just ten albums, the list was very much disputed the entire time. Alas, the list was finally cemented, and here’s what delights 2019 provided my, and now potentially your, earholes.Continue reading
It seems very few people utter a breath about 2016 any more. Probably for good reason, it seemed very much like a culling of revered figures and idols of popular culture, let alone a universal gasp of disbelief at what idiocy we may have unleashed on the world. 2017 isn’t really fairing any marginally better in that department, by a hair strand at best. But whisper it: The music is fantastic. If you want to invest in it of course. Admittedly, this list was compiled at the inset of 2017, but as the halfway stage of this year rapidly approaches, it still holds as an all-star ensemble of killer bands you may have overlooked, some yet to release their brand new material and some you may never have heard of. It seems like a solid enough foundation for this article to still exist, while maintaining some resemblance of relevance. That, and you may be reading this, looking for some new music to listen over the summer. Let’s get started, shall we?
History has gone to show it is infamous for remembering and celebrating the individuals and the cults of personality that have walked among us at one time or another. I’m sure that you really don’t need me to go above and beyond to name a few here, you could all name a handful of people off the bat. Their influence and importance of course relies entirely on you as a person, which is perhaps why I’d say it’s unfair to suggest that one person is of far greater importance than another. It’s all subjective. On the other hand, history has shown that it can be just as good celebrating couples and pairs. You may be a little harder pressed to name some off the bat, but I can give you a few of varying life paths. Bonnie and Clyde, Torville and Dean, Brad and Angelina, Elvis and Costello, Jack and Jill… You get the idea. The point is they’re all remembered for something, no matter their significance to you as a person. You’re aware of them regardless. At first glance of the pairing of Randolph and Mortimer, you could assume they operate as a construction firm, (like Gibbs and Dandy if you hail from the UK) or the surnames of serial killers, or war criminals. The truth kind of combines the two in some capacity. Dependent on how you label bankers and politicians.
The name actually derives from the film Trading Places, where two stock brokers, going by the names of Randolph and Mortimer switch places with two gentlemen in less fortunate social and financial circumstances, as an experiment to experience life on the other side. Which in today’s political climate we seem to be calling for a lot, to the governments and fat cats who more likely have never struggled in everyday social and financial situations. It certainly makes that name far more poignant. The Sheffield three-piece (yes, despite going under the moniker of a duo) practice a manifesto of condemnation and repulsion, punctuated by a series of electronically driven, industrial rallying movements. Powered by the analogue synths and percussive might of the 80’s, it only makes sense that visuals match the sonics, with wireframe silhouettes and what resembles Thatcherite Britain providing the backdrop for the ire unfolding. Most recent single Citizens isn’t so much a feast for the disenchanted, more a capitalist brainwashing broadcast if such an occurrence were to play out. Brought to a marching pace by booming snare hits and dampened synth arpeggios, the beat very much tribalistic in tempo and timbre, the checklist for what constitutes a valid member of society is rolled out, as well as quasi-motivational slogans in how to do so. A heavily distorted voice calls out in the distance, reaching indecipherable levels but certainly adds a touch of unease and morality to this otherwise calming instructional narrative. Later, a ferocious sawtooth synth wave cuts through the rhythm, near stopping it in its tracks, while a brighter counterpart, still as abrasive as its bass-heavy contemporary, layers atop before bringing the beat back and ushering in a new breed of arpeggios to meld with the originals. In the end, all of the individual synth lines piece together and play out increasingly chaotic percussion, to one last eerie inquisitive dialogue against a wall of noise. This is best experienced as an audio-visual sensation to truly get the best feel for the message Randolph and Mortimer wish to convey, but the music itself is just as an exciting head-trip in its own right. Though the political agenda is unmistakeable, these guys are producing stellar industrial in the veins of the old blood and will most likely not remain an underground sensation for much longer. History has every right to remember the constructs of these gentlemen.
Citizens has yet to see a release date, but no doubt will have a digital release at some stage in the near future. In the mean time, their $ocial £utures €P and single Enjoy More are available from their Bandcamp page, in addition to other singles and numerous remixes of theirs that can be found on most respectable music retailers.They are also playing the Saturday line-up on the main stage of Resistanz Festival 2016, but look out for a gig near you soon.
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