In the final instalment about this year’s sadly doomed and cancelled Eurovision, and to give every artist equal antagonism, as the home nation song and the Big 5 avoided scrutiny as the only songs not in the two semi-finals (which you can read about here and here for a more in depth roasting), the 2020 trilogy will end with The Soundshark running through and ranking every Eurovision entry this year, in order from least favorable, to the crème de la crème. Let this serve as a statement on ultimately who I thought should’ve won this year.
Memories… we all have them for the express purpose of giving us something to recall in our lives, a mark of experience whether with fondness, sorrow, or regret. A particular facet or detail, of that handful of seconds, or minutes in your life can be so evocative, so powerful, that you can recall it for as long as you breathe the air you’re given. Sometimes that one detail can be a song, and science continues to prove that music may be among the most powerful of keys to unlock long lost memories, especially in those whose minds may deteriorate faster than the average human being. In such a troublesome time where everyday life has been put on hold indefinitely, it seems almost flippant to reminisce about a period that was within reach mere months ago and pine for those memories, to be free once more in that moment. Music being the almighty force it is, there were moments for myself in the last decade, undoubtedly the greatest growth period in my still short yet slowly developing life, that a song made even an insignificant event into an exhibition, from the inside of a frantically paced head. Here’s the ten most memorable of them:
By now, the hangover of 2018 should have long subsided, and 2019 should now begin to be as familiar to everyone as much as your work colleagues, classmates, or friends you go clubbing with, are. We’ve conversed, debated and voiced our collective opinions on what the best of the best of 2018 was, and ahead, we look into the eyes of 2019 longingly, yearning for continued musical excellence as this decade draws to a climax. So bearing that in mind, the site has put together 20 bands and artists bearing a variety of new musical fruit in 2019, that you should absolutely sample, and hopefully savour and find immense pleasure from.
As the world begins to stir, gently putting the gears back into production, and steadily adjusting weary eyes to the bright new horizon of 2019 (I mean, it probably won’t be that different, other than some cases of lingering hangovers, apparent nationwide incense about a vegan sausage roll, and more than likely international condemnation of whatever Donald Trump does next), we at least have a period longer to contemplate how good a year of music 2018 really did provide us with. However the longer it took to mull over how a good year of music it was, the more frustrating it became to whittle down and distil the ten best. It’s very safe to say EVERY album about to be mentioned was in contention for a top ten position. Tantrums happened and tears were nearly shed. An iron resolve and persistence eventually paid off, and in the settling dust, lay the final ten chosen to represent the best of 2018. Just one of them became the victor and declared ‘the undisputed favourite.’ Continue reading
The first month of the year always brings forth the time to look ahead to the next 11 months of what we all hope will be a monument in each of our lives, but it also serves as a stopping point to reflect on our previous rotation around the Sun and everything that happened in that particular snapshot of our lives. Safe to say, 2018 was not short on stellar musical performances and releases whatsoever, it may have been among the strongest years of this decade undoubtedly. While this site is often not bound by dates nor limitations, the strength of the music that bands and artists have produced this year was simply staggering, staggering to the degree that recognising and commending it as such had to be the course of action. So when it came to deciding which bands or musicians should be in contention for this accolade, this shortlist wasn’t so short. However, in terms of sheer hard graft, songwriting, endless energy on and off stage and their frankly indescribable success this year, none were more deserving than Glasgow’s finest wrecking crew, Lotus Eater.
For context, Lotus Eater entered 2018 with a handful of music videos detailing their ferocious, laser-tight, tech-metal onslaught, pining for violence and bloodlust, from their crushingly heavy debut EP. They enter 2019 with a record label, even more European show dates, countless festivals under their belt, Radio One Rock Show airplay, and with a reputation as one of the UK’s most nerve-shredding live bands. In the space of 12 months and with less than ten recorded songs. If you want the definition of meteoric rise, then this is it. Even side-by-side with their brothers in brutality Loathe, who’ve had a similar build in exponential growth this year, that is a truly astonishing feat.
Bathed from head to toe in green, these snarling, seething verses from the throats of real, pissed off, and disenfranchised youth is not a commodity. It’s an experience, an exhibition, an exercise of conveying unchained aggression and pure cathartic release, in one of the most devastating fashions likely to grace auditory nerves. Their guitars scream in the most vindictive and vengeful tones imaginable, yet while it becomes the sonic equivalent taking a breezeblock to the skull, their sense of groove twists this into some of the most unique and innovative hooks tech-metal has yet to produce. As musicians, their meddling with time signatures is surprisingly complex, given their vast emphasis on blunt force trauma, so their raw skill and ability should never be downplayed. Even in atmosphere and ambience, there is an unrelenting dread and malice that strays far from being overbearing and slots perfectly into this volatile formula. Not everything is rooted in vehemence, you get occasional clean vocals that may seem an oddity amongst such bleak and barbaric displays, it is but another tool they transform into a hook and sinks their stories even further into your brain.
Lotus Eater create music, that is as intense and personal as structured chaos gets. A band so relevant and immediate, that from the poverty-ridden streets of the UK’s third most populous city, understands despair, hardship, and disadvantage better than some take for granted, and expel their rage into mantras with more than a healthy fucking dose of reality behind it. Once this surfaces, why they have resonated with so many, so quickly becomes a no-brainer. Their desire and fervour to bring gloom worldwide, with a small but captivating and concise catalogue has to be applauded. Gloom is their home, and everyone is welcome.
Five essential Lotus Eater tracks:
All of Lotus Eater’s music can be found on Bandcamp and your reputable online retailers. You can grab all other merch and the likes from their Bigcartel page, but everything sells out fast, so act quickly on that front. They are currently signed to Hopeless Records, and chances are this will herald new music in 2019, so watch this space. They also begin a headline live run from January, and support dates that run into February. Find them all here, or hit up your local promoter to bring them to a venue near you.
All news and updates regarding these gentlemen can be found on their social media here:
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On the 11th March 2018, something short of ground-breaking was announced on the social media outlets of one of the world’s most renowned progressive metal groups. Tool had entered the studio to record what has become their now fabled follow-up to 2006’s 10,000 Days. While this news has become a revelation and an answer to many a collective prayer (or keyboard warrior whinging, depending on how you view it), Maynard himself put on record at Metal Hammer’s Golden Gods ceremony that the new Tool album will most likely see the light of day in 2019. Affirmation is one thing, and commitment another, and while 2019 is just around the corner, chances are that will be the absolute bare minimum Tool’s global cult following will have to wait for a new sonic masterpiece. One more year after the twelve of relentless internet hyperbole and immeasurable anticipation that proceeded it, is surely doable, right?
Instead of preparing for what may end up becoming a mass exodus from the workplace on the day that album is released, and following the unexpected success of this article’s predecessor, The Soundshark has put together ten more bands from the underground, worthy of your time, until the musical gap has been bridged by the band themselves. To touch upon briefly from previous feedback, you won’t find Karnivool on this list, or any other list on this site themed similarly, as while not entirely known around the planet at present, they’ve had large enough worldwide success to be able to tour anywhere they see fit, which surely evolves beyond underground status.
Semantics aside, let’s begin:
I’ll be among the first to admit that 2017 is now a fading memory in long and short terms of immediate recollection. After all, we’ve reached a quarter of the year in already and only now do I find myself reflecting on and scrutinising the year past, since coming to terms with my current situation. Of which I feel is moving in a more positive direction. That said, while my own personal presence took a negative slant in the seventeenth year of the new millennium, musically, there was such a creative surge of magnificence which resulted in many, many excellent albums being released. Also one such reason for this list being delayed as it is. So, with ever-so-slightly wistful eyes, The Soundshark casts its spotlight on my ten favourite albums released in 2017, and for your listening indulgence: