20 Bands And Artists You Should Listen To In 2017

It seems very few people utter a breath about 2016 any more. Probably for good reason, it seemed very much like a culling of revered figures and idols of popular culture, let alone a universal gasp of disbelief at what idiocy we may have unleashed on the world. 2017 isn’t really fairing any marginally better in that department, by a hair strand at best. But whisper it: The music is fantastic. If you want to invest in it of course. Admittedly, this list was compiled at the inset of 2017, but as the halfway stage of this year rapidly approaches, it still holds as an all-star ensemble of killer bands you may have overlooked, some yet to release their brand new material and some you may never have heard of. It seems like a solid enough foundation for this article to still exist, while maintaining some resemblance of relevance. That, and you may be reading this, looking for some new music to listen over the summer. Let’s get started, shall we?

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The Soundshark’s Top 10 Favourite Live Performances of 2016

So this is a first for the site, as somebody sworn to never do live concert reviews, a run-down of ten stand out live acts that I’ve seen over the course of 2016. And I’ve seen a lot of them. It’s pretty self-explanatory really, only I’m not exactly reviewing them, just highlighting why they made this list. This isn’t limited to headline acts by the way. The only exception that I have made is to try and limit festival appearances, as there were numerous bands seen in the space of a day at some festivals that could’ve made up lists of their own. And I have had to discount one entry that should be on this list, that of being The Offspring and Bad Religion at Hammersmith Apollo. The reason being counting individual performances, both were absolutely superb on the night, more than satisfying the inner 13 year-old in me and being hard torn to pick a favourite, just makes it easier to disallow it altogether. Sorry, no joint entries for this one. Without any further ado, here’s who played stellar live shows in 2016:

10. Raveyards @ Camden Underworld (supporting Perturbator w/ Dan Terminus) – 08/06/16

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Credit: Eva Vlonk Photography

Bands like Raveyards perfectly demonstrate why you should always try and check out the support bands for a live show. Knowing nothing of them, walking into Underworld with half of the stage consumed by mesh netting, projection screens and one of the most elaborate live musical setups I’ve ever seen was an eyebrow-raiser. Every component of an electronic music performance was in their control and performed in real time, with their expansive shadowy atmospherics and gigantic beats, matched with a kaleidoscope of visuals made for a spell-binding spectacle. Spectators seemed happy to have the space back afterwards, but Raveyards’ attention to detail alone has to garner recognition.

http://www.facebook.com/raveyards
http://www.twitter.com/raveyards
http://www.soundcloud.com/raveyards

9. Allusondrugs @ The Black Heart, Camden (w/ Fizzy Blood, This Years Ghost and Snakes) – 03/08/16

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Always a band on the cusp of greatness, the Yorkshire grunge revivalists played a packed Black Heart and showed everybody why they are one of the most talked about live acts going in the UK right now. Switching between slower psychedelic pinches and frenzied fuzz slammers, all delivered with their inescapable talent for writing infectious hooks, I went into this show, having had some personal bad news that day and left with joy and an affirmation of life once more afterwards. They near had to be dragged off stage after a storming 45 minute performance, but such is their allure and brilliance of their music.

http://www.facebook.com/allusondrugs
http://www.twitter.com/allusondrugs
http://www.allusondrugs.com/

8. Youth Code @ Electrowerkz, Islington (w/ Shallow Sanction and Evestus) – 14/10/16

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Credit: Nick Fancher Photography

If there ever was a band that embodied controlled chaos, then Youth Code is that band. Marking their debut in the capital city with their revisionist approach to industrial and EBM, there is no wasted movement from beginning to end of their set, both Sara and Ryan screaming and launching themselves across the stage in a frenetic display. Despite a breadth of luscious synth arpeggios and skull-rattling drum machines, it’s their sprinkle of hardcore, that makes every word screamed at you personal and elevates Youth Code’s all-out sensory assault to an absorbing war dance you never want to end. Can you say: the next Ministry?

http://www.facebook.com/youthcodeforever
http://www.twitter.com/youth_code
youthcode.bandcamp.com

7. Jean-Michel Jarre @ The O2 Arena, London – 07/10/16

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It kinda goes without saying, that when you go to see a concert from somebody widely regarded as the Godfather of Electronic Music, as a pioneer whose forays into music and technology span 40 years and a former world record holder for the largest outdoor concert ever, you’re in for a spectacle. And having missed the chance six years previously to see him, he did not disappoint. Ever the showman, touring through his greatest hits and his frankly superb Electronica project, his inspiring ability to flawlessly recreate every nuance of his work, live, to a visual extravaganza that evolves much like his compositions can only cement his legacy as one of the most influential figures in modern music.

http://www.facebook.com/jeanmicheljarre
http://www.twitter.com/jeanmicheljarre
http://www.jeanmicheljarre.com

6. Petrol Bastard @ Resistanz Festival (Corporation, Sheffield) – 25/03/16

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I do wonder how many people have said at a Petrol Bastard show, that the duo played their dream set list. I certainly can. Opening up Resistanz Festival in Sheffield’s Corporation was a 45 minute performance piece about masturbation, drinking and violence set to an unrelenting techno, gabba and drum and bass soundtrack… and it was some of the most fun I’d had all year. Forcing crowd participation with a tide of inflatable penises and unforgettable slogans, and with a little help from Johnny Ultraviolence, this crude, colourful riot was impossible to ignore and left many smiling from ear to ear. Plus how many gigs let your girlfriend try to sexually assault one of the band members with an inflatable penis?

http://www.facebook.com/petrolbastard
petrolbastard.bandcamp.com

5. Monster Zoku Onsomb @ Boomtown Fair, Winchester – 12/08/16

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Out of the inconceivable number of bands and pass times at Boomtown Fair, these guys could’ve been easy to miss on one of the smallest stages around. But once in range, you couldn’t escape from them and those onlookers in attendance never wanted this madness to end. A troupe of Australian musicians specialising in belting rave tunes, spanning a whirlwind of tempos, spliced together with B-movie references galore and occasional 60’s surf guitar, happily run amok in their 45 minutes on stage. Choreographed dance routines, inviting an adult baby on stage and what may have been a declaration about being in Eurovision 2017 only added to their unique brand of electronic dance carnage.

http://www.facebook.com/mzofanpage
monsterzokuonsomb.bandcamp.com
http://www.monsterzoku.com

4. Toska @ The Boileroom, Guildford (EP Launch Show w/ Eschar, The Deadlights and Steal Rockets) – 27/02/16

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Possibly the only headline band I have ever seen without knowing a single thing about, was also one of the most astounding. Made up of three quarters of melodic hard rock starlets Dorje, Toska sacrifice none of that intensity and churn out wave after wave of instrumental metal bliss, hurled at such force you’d think there was an earthquake. The energy they emitted could’ve powered large city blocks and their respective talents are hypnotizing to observe; simply everything about their performance was immense in stature, given their debut recorded release. They made crafting invigorating, progressive music seem so effortless and it was an absolute pleasure to watch them at work.

http://www.facebook.com/officialtoska
officialtoska.bandcamp.com

3. Lionize @ Desertfest London (Camden Underworld) – 29/04/16

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In what is somewhat a recurring theme on this list, I went to watch Lionize, only knowing that they were Clutch’s in-house band and left absolutely speechless. Imagine if James Brown had fronted a balls-to-the-wall rock band and invited Bob Marley along as a touring member and that merely scratches the surface of what these gentlemen can do on stage. Ferociously charismatic and passionate beyond all belief, Lionize toured a myriad of genres and had tremendous fun doing it, all with every attendee transfixed at this true powerhouse of a performance. I’m surprised the Underworld didn’t burst having to contend with holding these guys back, one of the most impressive modern rock bands alive today.

http://www.facebook.com/LIONIZEMUSIC
http://www.twitter.com/LionizeMusic
http://www.soundcloud.com/lionizemusic
http://www.lionizemusic.com

2. Kowloon Walled City @ Camden Underworld (co-headliners w/ Minsk, also w/ Bossk and Wren) – 03/09/16

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Credit: Maria Louceiro

Credit where credit is due, Bossk were also spectacular on this night, but for a band that had never stepped foot in the UK before and had come to the end of a near two-month tour of Europe, emotions were always going to be high for these guys. Kowloon Walled City’s use of conveying so much intensity and feeling into their tone, while being pulverising in the same capacity, makes every note gripping to behold and very, very few bands can even touch them in making sludge sound so breathtaking. Spanning seven songs across 45 minutes, this set made a titanic statement as why Kowloon Walled City could be considered one of the best bands on the planet.

http://www.facebook.com/kowloonwalledcity
http://www.twitter.com/kowloonwalled
kowloonwalledcity.bandcamp.com
http://www.inthewalledcity.com

1. Placebo @ Wembley Arena, London (w/ Minor Victories) – 15/12/16

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What more can be said about Placebo? Never has a band resonated with me emotionally and spiritually as Placebo has and likely I wouldn’t be where I am today without them. Hell, I wouldn’t have a degree for starters. But there could be no more fitting show for them to play in their hometown on the 20th year of their inception. The atmosphere was electric and applause rapturous as the band strode through a terrific career-spanning set, that touched many through melancholy but lifted everyone through liveliness. Lyrically they have few peers and musically, their grunge-embezzled attack sounds as fresh as it did in June of 1996. Arguably, one of the UK’s greatest cultural phenomenons.

http://www.facebook.com/officialplacebo
http://www.twitter.com/placeboworld
http://www.placeboworld.co.uk

I hope you enjoyed my selection, and if you agree with these choices, or enjoy the writing that’s on this site, then you can show your appreciation through a like, a follow or subscribe to the site using the link below:

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

 

Secret Tsunami Club – Episode #13

So folks, it has been six months since I last endeavoured in radio, but at long last, I bring you the next instalment of the Secret Tsunami Club and the first podcast as an independently produced project. Quality may not be the best right now, but it can and will only improve over time. Hopefully it is of a standard you can enjoy.


Tracklist:

Black Vulpine – Twisted Knife
The Vibraphonic Orkestra – A Vibraphonic Introduction
The Impalers – Metro Azul
Geistfight – True Warriors
Release The Bats – Hornets In A Matchbox
Death Valley Sleepers – Your Face In The Skies
Seasloth – Marshmallon
Ten Tombs – Honestly
Ketch Hatbour Wolves – Queen City Believes You
In Case Of Fire – Do What I Say
Vektrill – I’ll Never Die
Elephantis – Stronghold
Octopede – The Gush
The Gentle Art Of Cooking People – King Tukan II
Cavern – Ithican
Atomis – Maelstrom
Bullet Height – Hold Together
Kurt Dirt – Pleasure Machine
Iltoro – High Fly
sØ؆ – ÐΔRKES† HØUR
Glass Cobra – Up
Furious Freaks – No Indeed
Youth Code – Doghead
Dirk Geiger – 24 Hours Without Interruption

If you enjoyed this, then you can keep up to date with the latest Secret Tsunami Club happenings via Facebook or Twitter, and you can never miss an episode by subscribing to the site on the link down below:

http://www.facebook.com/IAmTheSoundshark
http://www.twitter.com/The_Soundshark

30 Hotly Anticipated Releases Still To Come In 2016 You Should Get Excited About

2016, probably not just in my own personal opinion, has been a fantastic year for music releases so far depending on how far you’re willing to commit yourself to the kaleidoscopic universe out there. To name but a few of my favourites would include The Qemists, Youth Code, Autopsy Boys, All Hail The Yeti, Mask of Bees, Lowflyinghawks, Amplifighters and Weekend Nachos, and at this point, some music media outlets would like to take the chance to reflect on what has already come before and sum things up in a handy little list for you. The Soundshark isn’t some music media outlets. What The Soundshark has done has compiled a list of 30 forthcoming releases in 2016, of varying genres, and from mass appeal down to the underground to better illustrate why 2016 will remembered as a truly incredible year of music. There could be your new favourite band waiting here or an album announcement by that band you like you may have missed, who knows?

Let’s begin shall we?

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Track Of The Week: Bullet Height – Hold Together

Let it be said that some things carry on the way they started. In Bullet Height’s case, it carries on the sonic storm previously began by debut single Bastion in February, heading towards potential live dates in the near future and a forthcoming album tentatively inbound for the year’s close. But Bullet Height’s roots date back much farther. Circa eight years ago to be precise. For Pure Reason Revolution, the former band that frontman Jon Courtney had a significant hand in, after the success of their opus The Dark Third and subsequent departure of violinist James Dobson, their songwriting took a turn in a more electronic based direction, birthing second studio album Amor Vincit Omnia; an album that transformed the band’s sound from an atmospheric progressive rock opera, into a punchier, synth-injected rock hybrid, with scaled down but still ever-present progressive leanings. This evolution was completed on third and what would become final album Hammer And Anvil, which in my opinion remains one of the most underrated albums of the decade, and would be the only Pure Reason Revolution album to be published by Superball Music, whom the band signed with prior to its distribution. Pure Reason Revolution were to disband in 2011, a year after Hammer And Anvil’s release.

Fast forward some five years later, elements of the sound encapsulated from Amor Vincit Omnia and Hammer And Anvil, the revival of the partnership with Superball Music and the union of Jon Courtney and IAMX keyboardist and vocalist Sammi Doll in Europe’s second biggest capital, brought together Bullet Height, a duo whose talents can equal the exhilarating and electrifying nature of their music. Though quiet for several months since being hotly tipped as one of the bands to keep an eye on in 2016, the emergence of second single Hold Together is a swift reminder of what whipped up the frenzy and excitement in the first place, and an excellent point of entry for anyone curious about the diversity of electronic rock.

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And a reminder and point of entry none more swift and excellent than the blasting of intense volcanic guitar tones, dark and deep synth throbs and a incredibly forceful percussive pattern. Such is the impact and ferocity of the introduction here, that it relegates Bastion to a mere nursery rhyme in comparison. If your eyes weren’t open before, they certainly will be. The cavalry is quietened for the vocals to take centre stage, the warm hum of synth hovering below and the drums remaining as imposing a presence behind them. It’s here we’re also treated to the luscious vocal harmonies that Jon and Sammi are capable of conjuring. Each individual voice has its own powerful merits, but together it produces an intoxicating sensation yet still a hint of menace which serves the aggressive instrumentation well throughout. Especially as it reaches the pre-chorus, where against a thunderous series of drum kicks and synth throbs that devolve into shrieks, adds that extra edge to twist the tension into a truly explosive chorus. Hitting with the accumulated musical force of a tempest, the guitars, synth and drums decimate anything in the immediate vicinity, with vocals picking up a soaring pop sensibility which sounds eerily calming considering the annihilation unfolding before you. The result however is unfathomably satisfying. A quick glitch from the synths and a drum fill later, and you’re thrown head first back into the carnage. Nuances like additional fury vented on the microphone, jagged guitar you can feel the volatility of, synths expanding and growing in character and ambience and even solo moments of formidable gritty synth stabs all keep the soundscape an unpredictable thrill ride all to the very end. Hold Together is much less a song and more an event; a shockwave of inconceivable artistic and musical vision which can be experienced as both punishing and piquant. It almost seems as if Bullet Height had a crack at their own personal Manhattan Project, and boy did they nail the execution. This duo have the chemistry, talent, uncompromising attitude and simply immeasurable ambition to solidify their status as one of the most awe-inspiring bands in the world at this moment, with the potential to supercharge their electronic rock engine into one of the planet’s all-conquering live acts, just around the corner. The world is theirs for the taking. If they don’t destroy it first.

 
Hold Together is out right now at all respectable music retailers as a digital only single. You can pick up their previous single Bastion at the same music retailers also. The band are in the process of gearing up for live dates in their native Berlin which are yet to be announced, but certainly worth keeping an eye out for. Bullet Height’s debut album has been pencilled in for a release in Winter 2016 which no doubt you’ll hear more about in the coming months. And for a taster of what’s to come as well as back story for the band’s formation, check out this short documentary on them.

Once you’ve digested all of that, go give them your support right here:

http://www.facebook.com/Bulletheight
http://www.twitter.com/BulletHeight

And if you want to give me your support, entirely optional, through a like, a follow or a subscription to the site down below so you never miss a post, you can do so:

http://www.facebook.com/IAmTheSoundshark
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Randolph & Mortimer

History has gone to show it is infamous for remembering and celebrating the individuals and the cults of personality that have walked among us at one time or another. I’m sure that you really don’t need me to go above and beyond to name a few here, you could all name a handful of people off the bat. Their influence and importance of course relies entirely on you as a person, which is perhaps why I’d say it’s unfair to suggest that one person is of far greater importance than another. It’s all subjective. On the other hand, history has shown that it can be just as good celebrating couples and pairs. You may be a little harder pressed to name some off the bat, but I can give you a few of varying life paths. Bonnie and Clyde, Torville and Dean, Brad and Angelina, Elvis and Costello, Jack and Jill… You get the idea. The point is they’re all remembered for something, no matter their significance to you as a person. You’re aware of them regardless. At first glance of the pairing of Randolph and Mortimer, you could assume they operate as a construction firm, (like Gibbs and Dandy if you hail from the UK) or the surnames of serial killers, or war criminals. The truth kind of combines the two in some capacity. Dependent on how you label bankers and politicians.

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The name actually derives from the film Trading Places, where two stock brokers, going by the names of Randolph and Mortimer switch places with two gentlemen in less fortunate social and financial circumstances, as an experiment to experience life on the other side. Which in today’s political climate we seem to be calling for a lot, to the governments and fat cats who more likely have never struggled in everyday social and financial situations. It certainly makes that name far more poignant. The Sheffield three-piece (yes, despite going under the moniker of a duo) practice a manifesto of condemnation and repulsion, punctuated by a series of electronically driven, industrial rallying movements. Powered by the analogue synths and percussive might of the 80’s, it only makes sense that visuals match the sonics, with wireframe silhouettes and what resembles Thatcherite Britain providing the backdrop for the ire unfolding. Most recent single Citizens isn’t so much a feast for the disenchanted, more a capitalist brainwashing broadcast if such an occurrence were to play out. Brought to a marching pace by booming snare hits and dampened synth arpeggios, the beat very much tribalistic in tempo and timbre, the checklist for what constitutes a valid member of society is rolled out, as well as quasi-motivational slogans in how to do so. A heavily distorted voice calls out in the distance, reaching indecipherable levels but certainly adds a touch of unease and morality to this otherwise calming instructional narrative. Later, a ferocious sawtooth synth wave cuts through the rhythm, near stopping it in its tracks, while a brighter counterpart, still as abrasive as its bass-heavy contemporary, layers atop before bringing the beat back and ushering in a new breed of arpeggios to meld with the originals. In the end, all of the individual synth lines piece together and play out increasingly chaotic percussion, to one last eerie inquisitive dialogue against a wall of noise. This is best experienced as an audio-visual sensation to truly get the best feel for the message Randolph and Mortimer wish to convey, but the music itself is just as an exciting head-trip in its own right. Though the political agenda is unmistakeable, these guys are producing stellar industrial in the veins of the old blood and will most likely not remain an underground sensation for much longer. History has every right to remember the constructs of these gentlemen.

 

 

Citizens has yet to see a release date, but no doubt will have a digital release at some stage in the near future. In the mean time, their $ocial £utures €P and single Enjoy More are available from their Bandcamp page, in addition to other singles and numerous remixes of theirs that can be found on most respectable music retailers.They are also playing the Saturday line-up on the main stage of Resistanz Festival 2016, but look out for a gig near you soon.

Go give them a great big high five:

https://www.facebook.com/randolphandMortimer/?fref=ts
https://twitter.com/RandyandMort

And you’re more than welcome to give me a high five too if you so wish, through a like, follow or subscribing to the site:

https://www.facebook.com/IAmTheSoundshark/
https://twitter.com/The_Soundshark