Whitedevilwhitedevil

There aren’t that many bands in the world that are named from a line in a Jim Carrey film (Ace Ventura 2: When Nature Calls if you didn’t know), and for that matter, there probably never will be. Not that Carrey isn’t great at writing memorable words and phrases, but you give him the task of making a band name out of his entire filmography, you can bet this wasn’t his first choice. Medway, UK based cacophonists Whitedevilwhitedevil nonetheless channel the same breed of likable insanity into brutal downtuned sludge fight anthems, downed in enough sound to burst river banks. Whilst their recorded material is scattered across the shallows of Bandcamp, every song brings urgency and brute force into a two pronged guitar attack, and drums while grainy and amplified far louder than they should, smash and clatter well with them. Sometimes, a slight edge of pedal experimentalism leaks into their work, but do seem to be blue-moon natured occurrences. Fight Milk, a shorter tune in their arsenal from the A New Low EP, lays down a power house performance of crushing guitar blasts whilst drums go hell for leather, orchestrating the sheer chaos that unfolds. Oh, don’t forget those shouts. Instigating violence at its finest. These three gentlemen have a lot to look forward to in the future.

As already divulged, Whitedevilwhitedevil have all their recorded output on Bandcamp, just not all in one location, but EPs, demos and even a collection of Christmas covers are all available for a small fee. A New Low can be found here.

https://www.facebook.com/pages/Whitedevilwhitedevil/310977112361937?fref=ts

Maeth

Some of the best kinds of music ensnare you for a listening experience unlike any other. Pink Floyd. Mastodon. Ozric Tentacles, if you know of them, just to name a few. Minnesota’s Maeth take cues in what makes these three bands world class songwriters, yet are very much their own unique beast, with extra emphasis on the beast. What you’re getting is a progressive metal band that are unafraid to take their music above and beyond tired barriers. The entirety of 2012’s Horse Funeral EP is one song broken into five segments in which the title track here, goes on as much as a flight as the rest of the album. Starting in space almost, sludge mode engages for an impressive show of strength and a surprisingly catchy riff, colliding head on with excellent off-kilter drums. The soundscape is then hushed into a repetition of that riff, supported by a gentle touch of bass before an ethereal flute takes hold of the proceedings. See, progressive music doesn’t get that spiritual sounding nowadays, but these gentlemen can take it there or wherever they please, as their near-leagues below sea level depth is astounding. Maeth aren’t musicians, they’re dreamweavers. Whether that’s a psychedelic tour of space, or a terrifying avalanche solely to crush, they deserve to breach their cult status as one of progressive metal’s most exciting new bands.

The Horse Funeral EP was only the beginning. Please go check out their 2013 album Oceans Into Ashes on their Bandcamp, as it expands the groundwork covered here into a fully-fledged masterpiece.

https://www.facebook.com/MaethBand?fref=ts