Tilts

In my personal opinion, music started to get rather interesting when it entered the 70’s. Especially if you were playing under the banner of rock ‘n’ roll, which underwent such a transformation and much selective breeding in this time period, the offspring started to become indistinguishable from its ancestors. Many artists and bands from the ages have carved their faces into the course of history, some arguably more noticeable than others. Fast forward to present day, when St. Louis supergroup Tilts manufacture a good time rock ‘n’ roll crash course, borrowing (and not mention poking fun at some of their song titles) from some of the greatest to play the game. ZZ Top, Van Halen, Kiss. Only but to name a few. But somewhere along the line, this group got sidetracked in California and had a party with the stoner rock crew of Palm Desert. The end result is a tremendously fun, extraordinarily well-realised straight up rock album. Give Me All Of Your Loving (a rib on ZZ Top) is a riff-fuelled, groove-piloted vehicle travelling at speed with ass-kicking guitar heroism and enough swagger to make any man butt heads with the devil himself. Any person with an appreciation of rock ‘n’ roll or guitar music will find so much to enjoy from this talented bunch, and their 2012 self-titled debut is one of the most thrilling and complete albums you’ll likely hear for a good while.

Tilts’ debut and last year’s Cuatro Hombres can either be purchased in a digital format or as very limited edition vinyl, with stock levels running low, on their Bandcamp page for a fair asking price.

https://www.facebook.com/pages/Tilts/146879238659124?fref=ts

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American Wrestlers

Chances are that you’ll probably have never heard of Manchester’s Working For A Nuclear Free City. So the name Gary McClure will mean even less to you if you haven’t. The gentleman in question is half responsible for the former name, and entirely responsible for the latter. What was successful in WFANFC was its air of nostalgia, invoked in its many distinct song styles, leaving behind an eclectic catalogue of killer songwriting, atmosphere and endearing little oddities that sounded like they could’ve been from many different time periods of history. American Wrestlers has a spirit which is very similar. Recorded on an eight-track and on his wife’s guitar and keyboard, Gary McClure has distilled the essence of WFANFC into a stripped back indie-pop masterpiece, that sounds like its been around since the 60’s, rather than April of this year. The soulful, heartfelt There’s No One Crying Over Me Either, with its catchy keyboard hook, dated but fitting drum machine beat and soaring guitar solo is a sure fire contender to be one of my favourite songs released this year and the hype surrounding the self-titled album is rightful to propel its status as one of the best releases likely to be out this year. One of the best examples of timelessness currently going.

American Wrestlers’ debut album can be purchased through Fat Possum Records’ website, or via most respectable music retailers.

https://www.facebook.com/pages/American-Wrestlers/708356615903007?fref=ts