Dirty Scarab

Sometimes, some musicians are enigmatic, not because they don’t want to be found, but building a mystery behind the incredible skill and production that goes into making memorable music compositions, creates an allure that music fans flock to. One of the most high profile cases of this was the mystery surrounding electronic producer Burial, who for years was a myth, aside from his untouchable production abilities and stunning musical invocations because he kept himself hidden from the public. But the second he pulled back the curtain, the hype began to fade. Talents never die, but enigmas certainly can. Dirty Scarab is no exception. Prior to writing this piece, there is next to no social media presence nor a website for this under-the-radar producer, but details did eventually emerge with a little further digging. Dirty Scarab is the brainchild of Ben Youngs, a Leicester man who currently resides stateside, that specialises in remixes and soundtracks, accumulating a wealth of independent movie credits and more impressively, Trent Reznor-endorsed Nine Inch Nail remixes. Such as his talent for excelling in sheer breadth of production, his only album, 2009’s First Stint, contains a playroom of eclectronic sights, sounds and sensations, to sate whatever aural desires your state of mind decides. Naturally, a single song doesn’t speak for this brilliant artist’s entire creative repertoire, but it can showcase an aspect that they are capable of and nothing else says blackened mechanical wasteland like The Brooding. Setting forth on a high-impact hip-hop pace, booms of bass nestle under the encroaching menace and what sounds like robotic gurgling. The danger then engulfs you and a blasting of pained sirens and rusted robotic limbs edging closer, with the padding of a deep rumbling bass wall is incredibly unsettling. Everything screams foreboding, but there’s a delicate light of hope in a small riff of bright, graceful synth that in its two appearances, banishes that intense darkness and more than completes this track. No wonder Ben Youngs is proficient in soundtrack work, such well-realised and crafted atmosphere could cradle a compelling visual scenario with absolute ease. Though I have taken aback the cover over Dirty Scarab’s persona, ending an albeit brief puzzle, his versatility and adeptness behind the production desk heighten his credentials as a sterling young electronic producer, as much as a social media face figure equivalent.

Dirty Scarab’s work can’t be traced on the usual modes of music discovery such as Bandcamp, but First Stint is available completely for free, with the option to donate for his work on Jamendo or you can find him on CDBaby and support him that way. Of course, his music can be found be on most respectable music retailers too.

http://www.last.fm/music/Dirty+Scarab

P.S. Eclectronic is a term I’ve decided to use, to give to artists that can make or excel in producing more than one kind of electronic music.

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